Dramatisation documentaries are mainly about publicised, covered issues or events that have ended up in tragedy. Within the documentaries there are many witness accounts which are then used further when recreating the issue as accurately to the tragic event. A lot of the time there will be at least two, three or four interviews with professionals or those acting within the film/documentary. In many cases this form of documentary can become more of a film/TV drama series based on the information giving then the filmed examples in which are relevant.
The codes and conventions are wide ranged. So to start with there will be professional reconstruction of situations which ranges from the way in which the subject matter is filmed to the way in which the film/documentary is edited from the interviews filmed to the relevant acting scenes. The whole of the narrative of this style is written from extensive research from there it will lead to pre-arranged interviews and then start to look at if there is any archive footage lying around, asking for permission to use the film also being important. All camera is professionally shot but within the work there will be a wide range of camera shots and angles that allows the editor can make it ‘film like’ within it’s final cut. Like first mentioned the film/documentary will swap between expert interviews and then cut back into the dramatised reconstruction which makes it important that there is formal ‘expert interviews’.
The sounds that are mainly used within this documentary style speech, dialogue, applied sound effects and ambiance which are Diegetic sounds. On the other hand the other sounds used are non Diegetic which include sounds such as soundtracks, synchronised and asynchronised dialogue (dialogue starts of screen), sound effects for dramatic effects and voice over narrative.